By © Andrew Jalbert
Andrew Jalbert has been a professional archaeologist and scuba instructor for over 15 years. During that time, he has worked throughout the Great Lakes Region, the Caribbean, the Florida Keys, and Hawaii. His award-winning photographic and written freelance work focuses on maritime & tropical subjects (both above and below the water) and he has been published in scuba diving, natural history, fitness, and travel magazines as well as in educational materials and web sites.
Slow speed sepia shot taken near Hawaii’s Waikiki beach at dusk.
By © Joni Sternbach
“I stumbled upon this while scouting in Staten Island. It was an interesting art-like structure with no apparent purpose, It reminded me of the remains of some former habitation, whether civilian or military—it’s unclear, but I believe it was designed to give that impression. I went back a couple of times and then suddenly, one day it was gone.”
My pictures over recent years engage traditions of landscape, seascape, and architectural photography. Working with a large-format camera and historic process (wet-plate collodion), I have concentrated on locations that are close to or directly on the water. At this juncture between land and sea, I explore subject matter in a constant state of transition.
For the last year I have been drawn to the people present at these locations, specifically the surfers in Montauk’s Ditch Plains, at the eastern end of Long Island. Their avocation is on the water; they are persistent elements in a shifting scene. We overlap on the periphery of two powerful elements; the land and the sea. The singular, primitive act of surfing on the water is eclipsed by the social and negotiated state of human interaction on the shore. The surfers act as a bridge between the sea as an unbridled force of nature and the shore line, a place of leisure and cultural phenomena.
Working with a “wet” instantaneous process that must be prepared and developed on location serves me well. It draws spectators as well as entices new subjects. Using collodion compels me to compose carefully before sensitizing the plate, yet its very nature is spontaneous and unknowable. The raw quality of the process suits the subject matter, and the distinctive appearance of the finished works echoes nineteenth-century traditions of anthropological photography.
By © Dan Merkel
Emmy Award winning Dan Merkel has been one of the sport of surfing’s legendary lensmen for 30+ years. Dan “the Man Mountain” (nicknamed by Gerry Lopez) is responsible for some of the “Free Ride” era’s most memorable images. His insatiable appetite for the best shot has had him on the go ever since.
By © TC Reiner
German born photographer TC Reiner completed two engineering degrees before returning to a career in photography, his lifelong passion.
By © Nancy Opitz
Nancy Opitz an art school teacher, and a passionate photographer in her spare time. She is married to professional surfer Terry Simms, who collaborated on this image, taken in Costa Rica in 2008.
By © Brian Hodges
On a recent voyage to the Brazilian coast, Brian Hodges photographed this scene in the winter of 2009. We are pleased to feature it as our Photo of the Month for May 2009.
Brian Hodges is a photographer based in Santa Barbara.
By © Lana Wong
Inspired by the rugged beauty of the Moroccan coast, Lana Wong photographed this scene in the summer of 2005. We are pleased to feature it as our Photo of the Month for April 2009.
Lana Wong is an American photographer based in Paris. She founded and directed the Shootback Project, a youth photography and development program in Nairobi, Kenya which culminated in the publication of Shootback: Photos by Kids from the Nairobi Slums. Wong studied photography at Harvard University, and the Royal College of Art, London.